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Calderon Park (Central Park) in Cuenca

Tourist attractions in Ecuador

Calderon Park (Central Park) in Cuenca

Calderon Park (Central Park) in Cuenca

July 19, 2022
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Bolivar, Sucre, Benigno Malo y Luis Cordero
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Santa Ana Colonial Street
cultural

Santa Ana Colonial Street

Santa Ana Street, flanked in all its extension by the moles of the New Cathedral and the old Seminary, is the exact point where the city of Cuenca began its development, half a century ago. On the 12th of April 1557, a small group of 30 people, gathered in what was the only street of the place, next to an irrigation channel, solemnly founded the city, which is now a World Cultural Heritage Site. Unfortunately, the memory of the street fell asleep. The space of this one was occupied during decades for other tasks. Abusive characters ended up walled up by means of arbitrary measures and it became the extension of an educational center, during a large part of the 20th century. Fortunately for the history of the city, Santa Ana Street, named after the mother of the Virgin Mary, was rehabilitated for pedestrian traffic. It is a beautiful cobbled passage in the middle of the block, connecting from east to west Benigno Malo Street with Padre Aguirre. For the people of Cuenca, the street is a symbol of identity and of the rich heritage of the city. Reopened in 2017. Since then it has quickly become an important tourist attraction in the Historical Centre. Those who decide to walk through it must do so slowly. This is the only way to capture details such as the stained glass windows, the exposed brick or the sculptures of the New Cathedral on one side; the offers of shops, restaurants, cafes and the architecture of the old Seminary on the other side. During the restoration of the street, two archaeological windows were opened, for the observation of vestiges, like the first drains of the Cathedral or an old well. The latter was converted by the citizens into a "hole of desire". They throw inside it coins of different denominations or letters.


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Cloister and Wood-Turning Lathe of El Carmen
cultural

Cloister and Wood-Turning Lathe of El Carmen

The facade of the Cloister and Church of Carmen de La Asunción is one of the most interesting places in the Historical Centre of Cuenca (World Heritage Site by UNESCO), due to the colorful images it generates together with the Flowers’ Market. The order of nuns of El Carmen or "Carmelitas Descalzas" (Barefoot Carmelitas) was established in the city of Cuenca in the year 1682. The Monastery occupies the inside of the block opposite where the New Cathedral stands today. The most representative feature of this cloistered monastery is the wood-turning lathe, which is fitted into a hole in the wall next to the entrance door to the convent. It is used to pass objects from the outside to the inside and vice versa, without the people who give or receive them being seen. In other words, the lathe is an intermediary object between the cloister and the outside world, the means of communication between the contemplative and profane life. A few steps away from the wheel is a picture of the "Lord of Justice", which the Catholic faithful use to ask for divine intervention when they believe that earthly justice has failed them. People come to the wood-turning lathe to ask for spiritual advice. On the lintel of the entrance door to the monastery one can read "This is God's house and the door to heaven". People also go to the wood-turning lathe or to the humble shops next to the entrance of the house, in search of artisan products made by the Carmelites with medicinal plants and flowers, which they cultivate in the gardens of the cloister. They have a natural apothecary's shop. The "agua de pítimas" is the most popular. After drinking it people ask for a "piti más" or a little bit more. Other products are: red, white, blackberry and passion fruit wine, radish syrup, multivitamin syrup, lotion for muscle aches, pigeon jelly, lemon cream, cakes and snacks. The convent houses mural paintings, the most important in Cuenca and one of the most outstanding in America, sculptures and an enormous cliff or birthplace of Jesus. It is an authentic museum of religious art. The Carmelites are in charge of preserving the image of the "Traveler Child ", a sculpture of the newborn Jesus, and they also embroider his clothes by hand. This representation of Jesus Christ as a child presides every year, on December 24th, over the Pase Mayor or "Parade of the Traveler Child". The construction of the Church of Carmen began in 1727. It has a portal with Solomonic columns. It is small, with only one nave.


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Building of the Mayor's Office
cultural

Building of the Mayor's Office

Interest : Culture Type : Historic House Friendly to : children, families, seniors, handicapped, pets Relevant categories : Cuenca's Historic District World Cultural Site by UNESCO - Within Cajas Massif Biosphere Reserve by UNESCO - Cultural National Heritage by the Ecuadorian Government Hours : Monday to Friday 09:00 - 18:00, Saturdays 09:00 - 13:00 The building of the Mayor's Office of Cuenca belongs to the select group of patrimonial constructions that are the pride of the inhabitants of the city. Luis Donoso Barba built it for the headquarters of the Banco del Azuay, an entity that operated there from May 24, 1929 until its liquidation in 1999. Due to the façade of this building, in addition to the façades of the Superior Court of Justice, the New Cathedral and other houses in the historical center, the city is known as the "city of marble". In 2002, the Municipality of Cuenca received the building as a donation. It has an area of 2,500 m2. The ground floor is occupied by a gallery for artistic exhibitions. On the second floor there are the offices of the mayor, vice-mayor, the alternate room for the councillors, the secretary, the trade union and the financial management. The neoclassical-style building, without an internal courtyard, has spacious halls connecting various rooms. On the second floor, the brass ceiling stands out. It is undoubtedly one of the best examples of the French influence on Cuenca's architecture in the early 20th century. Its architect fulfilled the intention of its owners: to reflect greatness, luxury and economic power. The now disappeared Banco del Azuay was the first in Cuenca. Founded in 1913, in 1914 it became a pioneering entity when it printed the first Ecuadorian 1, 2, 5, 10 sucres banknotes.


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Cuenca's Old Cathedral & Museum
cultural

Cuenca's Old Cathedral & Museum

The Old Cathedral or Iglesia del Sagrario is an emblematic building in the Historic Center that marks the south-east corner of Calderon Park. It is considered to be the oldest building in Cuenca. The church was planned since the very moment of the city’s foundation in 1557, when the original layout designated a block of land to build it. Its foundations were built with carved stones from the Cañari-Inca city of Tomebamba. Some milestones are part of the history of this church. For example, the building work took three and a half centuries, between extensions, adaptations and ornamentation works, always counting on the contribution of the city's inhabitants. It was finished in 1924, with the mural painting of the artist Nicolás Vivar. Another important event occurred in the 18th century, when the French Geodesic Mission of 1736 used the church’s old tower to measure the arc of the earth's meridian. A commemorative plaque, attributed to the Colombian sage Caldas, says "Tower more famous than the pyramids of Egypt", in reference to the Geodesic Mission. The first public clock was installed in the bell tower overlooking Sucre Street in 1751. And the first bellows organ in the city, which still exists today, was mounted in the church choir in 1739. Another very singular fact is that Cuenca is one of the few cities in Ecuador, if not the only one, that has two cathedrals one in front of the other: The New or Immaculate Cathedral and the Old Cathedral. For some decades the Old Cathedral stopped being used for regular religious services and after its most recent renovation in 1999, it became a Museum of Religious Art and a place for concerts and cultural events. Its art collection includes sculptures by Miguel Vélez and Gaspar Sangurima and paintings by Daniel Alvarado, Nicólas Henriquez and Rafael Vivar. In addition, it is possible to admire the original model of the New Cathedral, work of Juan Baustista Stiehle, exposed in one of the chapels of the Church and through an archaeological window it is possible to observe the ossuary in the subsoil of the temple. In the house of the canons there is a permanent exhibition of old photographs of Cuenca. The Old Cathedral offers guided tour service for visitors.


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Santa Ana Cathedral of Cuenca
cultural

Santa Ana Cathedral of Cuenca

It is said that the Cathedral of the Immaculate Conception, in Cuenca, Ecuador, is as big as the faith of the “Cuencanos”. It is also called the New Cathedral or simply the Cathedral. It is a catholic temple and the largest building in the city of Cuenca, which is World Cultural Heritage declared by UNESCO. Legend has it that when Bishop Miguel León ordered its construction, at the end of the 19th century, he would have expressed "I want a cathedral as big as the faith of my people". In the city of Cuenca, the third city in development of the Republic of Ecuador after Quito and Guayaquil, the religious fervor of its citizens can still be seen today. In its Historical Center more than 25 churches can be counted, sometimes up to two by each neighborhood, which is why it is also called "the city of the clergymen". The particularity of the presence of two churches in the same block or neighborhood is manifested in the Central Park of the city. In front of the New Cathedral there is the Old Cathedral. From its tower, the Franco-Spanish Geodesic Mission of the 18th century would have made the measurements that led the establishment of “metro” (meter) as a universal measure. The construction of the New Cathedral began in 1885 and ended 90 years later in 1975. It constitutes the great architectural attraction of Ecuador because of its size, at the same level as the Basilica of the National Vote in Quito city. The blueprints of the temple were designed by John Baptist Stiehle. Its two main towers have a characteristic truncated finish and one of the best panoramic views of the city. The cathedral marks the heart of Cuenca city, where 4 UNESCO’s awards coincide: the city’s historic center, the toquilla straw hat or "Panama hat" and the Camino del Inca (Inca Trail), which are World Heritages, plus the vast massif that includes the territory of the city which is a Biosphere Reserve.


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San Luis Seminary
cultural

San Luis Seminary

The San Luis Seminary, built in Republican style, is another of the emblematic buildings that surround the block of the Central Park or Abdón Calderón de Cuenca (UNESCO World Heritage Site). Also known as Major Seminary or Seminary College, it is a symbol of the influence of the Catholic Church in this city. It is administered by the Curia. In the center of the building there is a beautiful chapel, with reserved access. At present the Seminar’s rooms are mostly occupied by restaurants, cafes and craft shops. There is a Catholic radio station, offices of the Laity Pastoral and training rooms. From its main courtyard, the domes of the New Cathedral have a different, magnificent perspective. The Seminary represents a time of economic boom and important changes of the 19th century. It was the new image that the city assumed, due to the introduction of European models of architecture. The export of toquilla straw hats was booming and with the resources it generated, monumental works like this Seminary were undertaken. Construction began in 1867, under the direction of Mera from the capital city of Quito and the Frenchman Grevilliers. They introduced in its design the traditional portals. The San Luis Seminary occupies a complete block between Bolivar, Benigno Malo, Santa Ana and Padre Aguirre streets. For a long time, the building was the only center of higher education in the city. It was home to educational institutions such as the San Luis School, the only one in its time in Cuenca, to the Borja School and to the Catholic Educational Community. In 2013 this jewel of the region's architecture was on the verge of disappearing, due to a fire. The Ecuadorian state took charge of its restoration. Today, completely restored, it is the center of intense social, cultural, commercial, artisanal and gastronomic activity.


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