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Cloister and Wood-Turning Lathe of El Carmen

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Cloister and Wood-Turning Lathe of El Carmen

Cloister and Wood-Turning Lathe of El Carmen

July 19, 2022
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Cuenca's Old Cathedral & Museum
cultural

Cuenca's Old Cathedral & Museum

The Old Cathedral or Iglesia del Sagrario is an emblematic building in the Historic Center that marks the south-east corner of Calderon Park. It is considered to be the oldest building in Cuenca. The church was planned since the very moment of the city’s foundation in 1557, when the original layout designated a block of land to build it. Its foundations were built with carved stones from the Cañari-Inca city of Tomebamba. Some milestones are part of the history of this church. For example, the building work took three and a half centuries, between extensions, adaptations and ornamentation works, always counting on the contribution of the city's inhabitants. It was finished in 1924, with the mural painting of the artist Nicolás Vivar. Another important event occurred in the 18th century, when the French Geodesic Mission of 1736 used the church’s old tower to measure the arc of the earth's meridian. A commemorative plaque, attributed to the Colombian sage Caldas, says "Tower more famous than the pyramids of Egypt", in reference to the Geodesic Mission. The first public clock was installed in the bell tower overlooking Sucre Street in 1751. And the first bellows organ in the city, which still exists today, was mounted in the church choir in 1739. Another very singular fact is that Cuenca is one of the few cities in Ecuador, if not the only one, that has two cathedrals one in front of the other: The New or Immaculate Cathedral and the Old Cathedral. For some decades the Old Cathedral stopped being used for regular religious services and after its most recent renovation in 1999, it became a Museum of Religious Art and a place for concerts and cultural events. Its art collection includes sculptures by Miguel Vélez and Gaspar Sangurima and paintings by Daniel Alvarado, Nicólas Henriquez and Rafael Vivar. In addition, it is possible to admire the original model of the New Cathedral, work of Juan Baustista Stiehle, exposed in one of the chapels of the Church and through an archaeological window it is possible to observe the ossuary in the subsoil of the temple. In the house of the canons there is a permanent exhibition of old photographs of Cuenca. The Old Cathedral offers guided tour service for visitors.


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Calderon Park (Central Park) in Cuenca
cultural

Calderon Park (Central Park) in Cuenca

The Calderon Park, since the foundation of the city four and a half centuries ago, is the heart of Cuenca, the central point of its social, political and religious activities, or a silent witness to its most relevant historical events. It has been called Abdon Calderon Park since 1932, when the cast bronze statue of the "Héroe Niño" was located, which is eternally guarded by the giant Chilean araucarias, planted in 1875 by former president Luis Cordero. Its name evolved with the city, called Plaza Pública at the beginning of this one, then it became Plaza Grande or Mayor, Plaza Principal y de Armas, Plaza Vargas Torres at the beginning of the 20th century. Its benches are a meeting place for retirees, students or all kinds of walkers. It is a working place for photographers, street musicians, craftsmen, shoe shiners, newspaper and magazine sellers. Its gazebo is the stage for various cultural and political events or the secret accomplice of lovers. It is also famous for its portals that offer shelter from the rain or a hot sunny day or the design of its trees and flowers in geometric flower pots. The marble facades of the Palace of Justice and the New Cathedral stand out in the Park. Every year it is the venue for authentic popular festivals. The first established with the Cuenca Foundation is the "Septenario" in the month of June - 7 days of celebration in honour of the Body of Christ or "Corpus Christi" - which is manifested by the sale of sweets in traditional stalls on the paths around the park, fireworks called "castles" and "mad cows" or the raising of hot air balloons. Thousands of citizens gather every night, for 1 week, to watch the show. The second one is known as "El Pase del Niño Viajero", which takes place every December 24th. Center of the power, the Park in its surroundings lodges the main public buildings of political, judicial, religious, cultural and commercial institutions: the Old Cathedral, the house of the Family Ordóñez Mata, the Governor's Office of the province of the Azuay, stores Juan Eljuri, Vatex Galleries, Tosi House, the Old Seminary, the New Cathedral, the House of the Culture, the notaries, the Municipality of Cuenca, the Superior Court of Justice, BanEcuador. In recent years, the Calle Santa Ana, which is part of the original layout of the city, was reopened to tourism.


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Former Palace of Justice in Cuenca
cultural

Former Palace of Justice in Cuenca

The facade of the "Palacio de Justicia" (the Palace of Justice or Courthouse) in the city of Cuenca occupies one of the corners of the Calderon Park or Central Park. It is an emblematic building. Along with the New Cathedral, the City Hall and a group of houses in the Historical Center, they have made "the city of marble" another name well earned by Cuenca. In addition, this building is part of the area declared by UNESCO as a World Heritage Site. ​ The symbolic meaning of the structure of the Courthouse is important in the urban area, because it was built between 1914 and 1925 as the headquarters of the University of Cuenca. So, for a long time, the building’s main function was to generate knowledge, education and culture. Today its lobby is used for cultural and social events, with main access to the Sucre Theater. Although its architectural style is neoclassical, the materials used to build it are of diverse origin, an eclectic combination of Sayausí marble, bricks produced at El Tejar, polychrome brass for the ceilings imported from France, and colored glass brought from Belgium. The humanist Octavio Cordero Palacios was appointed by the University Board as director of the work, based on the designs of the Quito architect Francisco Espinoza. Around 1950 and after 25 years of operation, the property was sold to the Ecuadorian state. The State assigned it to the Judicial Function, and it was named "Palace of Justice". It houses the Provincial Court of Justice of Azuay. The marble, the dome, the cornices, the giant columns, the heraldic shields, make its facade very striking. That is why it is one of the most photographed buildings in the Historical Center of Cuenca, a World Heritage Site.


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Santa Ana Colonial Street
cultural

Santa Ana Colonial Street

Santa Ana Street, flanked in all its extension by the moles of the New Cathedral and the old Seminary, is the exact point where the city of Cuenca began its development, half a century ago. On the 12th of April 1557, a small group of 30 people, gathered in what was the only street of the place, next to an irrigation channel, solemnly founded the city, which is now a World Cultural Heritage Site. Unfortunately, the memory of the street fell asleep. The space of this one was occupied during decades for other tasks. Abusive characters ended up walled up by means of arbitrary measures and it became the extension of an educational center, during a large part of the 20th century. Fortunately for the history of the city, Santa Ana Street, named after the mother of the Virgin Mary, was rehabilitated for pedestrian traffic. It is a beautiful cobbled passage in the middle of the block, connecting from east to west Benigno Malo Street with Padre Aguirre. For the people of Cuenca, the street is a symbol of identity and of the rich heritage of the city. Reopened in 2017. Since then it has quickly become an important tourist attraction in the Historical Centre. Those who decide to walk through it must do so slowly. This is the only way to capture details such as the stained glass windows, the exposed brick or the sculptures of the New Cathedral on one side; the offers of shops, restaurants, cafes and the architecture of the old Seminary on the other side. During the restoration of the street, two archaeological windows were opened, for the observation of vestiges, like the first drains of the Cathedral or an old well. The latter was converted by the citizens into a "hole of desire". They throw inside it coins of different denominations or letters.


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Building of the Mayor's Office
cultural

Building of the Mayor's Office

Interest : Culture Type : Historic House Friendly to : children, families, seniors, handicapped, pets Relevant categories : Cuenca's Historic District World Cultural Site by UNESCO - Within Cajas Massif Biosphere Reserve by UNESCO - Cultural National Heritage by the Ecuadorian Government Hours : Monday to Friday 09:00 - 18:00, Saturdays 09:00 - 13:00 The building of the Mayor's Office of Cuenca belongs to the select group of patrimonial constructions that are the pride of the inhabitants of the city. Luis Donoso Barba built it for the headquarters of the Banco del Azuay, an entity that operated there from May 24, 1929 until its liquidation in 1999. Due to the façade of this building, in addition to the façades of the Superior Court of Justice, the New Cathedral and other houses in the historical center, the city is known as the "city of marble". In 2002, the Municipality of Cuenca received the building as a donation. It has an area of 2,500 m2. The ground floor is occupied by a gallery for artistic exhibitions. On the second floor there are the offices of the mayor, vice-mayor, the alternate room for the councillors, the secretary, the trade union and the financial management. The neoclassical-style building, without an internal courtyard, has spacious halls connecting various rooms. On the second floor, the brass ceiling stands out. It is undoubtedly one of the best examples of the French influence on Cuenca's architecture in the early 20th century. Its architect fulfilled the intention of its owners: to reflect greatness, luxury and economic power. The now disappeared Banco del Azuay was the first in Cuenca. Founded in 1913, in 1914 it became a pioneering entity when it printed the first Ecuadorian 1, 2, 5, 10 sucres banknotes.


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San Luis Seminary
cultural

San Luis Seminary

The San Luis Seminary, built in Republican style, is another of the emblematic buildings that surround the block of the Central Park or Abdón Calderón de Cuenca (UNESCO World Heritage Site). Also known as Major Seminary or Seminary College, it is a symbol of the influence of the Catholic Church in this city. It is administered by the Curia. In the center of the building there is a beautiful chapel, with reserved access. At present the Seminar’s rooms are mostly occupied by restaurants, cafes and craft shops. There is a Catholic radio station, offices of the Laity Pastoral and training rooms. From its main courtyard, the domes of the New Cathedral have a different, magnificent perspective. The Seminary represents a time of economic boom and important changes of the 19th century. It was the new image that the city assumed, due to the introduction of European models of architecture. The export of toquilla straw hats was booming and with the resources it generated, monumental works like this Seminary were undertaken. Construction began in 1867, under the direction of Mera from the capital city of Quito and the Frenchman Grevilliers. They introduced in its design the traditional portals. The San Luis Seminary occupies a complete block between Bolivar, Benigno Malo, Santa Ana and Padre Aguirre streets. For a long time, the building was the only center of higher education in the city. It was home to educational institutions such as the San Luis School, the only one in its time in Cuenca, to the Borja School and to the Catholic Educational Community. In 2013 this jewel of the region's architecture was on the verge of disappearing, due to a fire. The Ecuadorian state took charge of its restoration. Today, completely restored, it is the center of intense social, cultural, commercial, artisanal and gastronomic activity.


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